The Lost Signals try to discern who is real and who is not in their analysis of John W. Campbell’s (writing as Don A. Stuart) classic tale, “Who Goes There?” [Aggregate score: 8]
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As a precursor to kicking off Halloween season for 2018, TLS reviews the decently generic slasher flick, Hell Fest.
[Aggregate score: 6]
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Steve and Scott interview filmmaker Michelle Iannantuono about her upcoming feature, “Livescream,” as well as her company, Octopunk Media, and all of the various projects under its tentacles.
On Facebook:
Octopunk Media
Livescream
Crowdfunded projects Michelle is promoting:
Flesher
Killer Assistant
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TLS reviews the latest Matt Groening brain-child, Netflix series Disenchantment, while channeling the habits and vices of the show’s characters.
[Aggregate score: 8]
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Less Dickensian and more Poe-esque, The Signal-Man is a story of ghastly foreshadowing and we’re just the Signals to review it. [Aggregate Score: 7.33]
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TLS devolves into beasts while reviewing The Predator, not to be confused with Predator and/or Predators.
[Aggregate score: 3. 66]
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Join the “cool” section of video games, where exclusivity reigns. But is that a good thing? TLS discusses the nature of exclusive content/titles.
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In Bertrand Russell’s brief work, he takes TLS on a tour of philosophical hell, exploring what it means to non-exist.
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The TLS crew cleans up their emotional refuse (and ponders re-evaluating their review scale) in Amber Sparks’ wonderfully bittersweet story, The Janitor in Space.
[Aggregate score: 6]
Published in American Short Fiction, 2014.
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TLS tackles one of the modern day masterpieces that showcases both real life horror and honest humanity in the face of it, in the AFI #8, Schindler’s List.
[Aggregate score: 10]
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