Taking on the third entry in the tales of master assassin John Wick, TLS decides how on target the latest in series lands.
[Aggregate score: 8]
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With an idea spawned from a drunken encounter, TLS embarks on a path to discern differences between a narrative’s emotional arcs compared to its logical storyline climaxes, as framed through a range of pop culture works.
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Surrounded on all sides, TLS attempts to navigate another genre definition, as well as the games that may fall under it, this time specifically concerning bullets hells and their variations.
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Our foreign wanderings bring TLS to the lands of Asia for a review of martial arts flick, Ip Man.
[Aggregate score: 8]
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Operatic hijinks ensue as TLS covers the second (and better) Marx Brothers movie on the AFI list, A Night at the Opera.
[Aggregate score: 7.6]
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TLS backtracks and upgrades themselves during a discussion on the idea and appeal of Metroidvania style games.
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In a strange apartment in post-apocalyptic France, TLS finds love and escapes being turned into mincemeat.
[Aggregate score: 9]
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Continuing our foray into foreign territory, TLS sneaks into the projectionist booth to follow the poignant tale of “Toto” Salvatore’s lifelong love affair with film in Italian classic, Cinema Paradiso.
[Aggregate score: 9]
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TLS finds themselves upon sour land, deciding that sometimes dead is indeed better in a review of the 2019 version of Pet Sematary, which definitely came back wrong.
[Aggregate score: 3]
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TLS travels to the old Swedish country to peddle their love potions, debate the depths of deception, and review Ingmar Bergman’s The Magician.
[Aggregate score: 9]
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