Chaos, madness, train wrecks and unhealthy relationships are all topics of discussion in our review of “The Invisible Man,” starring the voice of Claude Rains. [Aggregate score 8.33]
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TLS unearths some recurring themes, a couple fine performances and a creepy love triangle from the sarcophagus of 1932’s “The Mummy.” [Aggregate score 6.75]
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Angry mobs with torches, the titular doctor’s madness and a nameless monster in love, bring discussions of creators and creations in 1931’s “Frankenstein.” [Aggregate score 7.6]
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A new moon, wolfsbane in bloom and a voyeur’s intent is thwarted by a band of gypsies, a wolf and a discussion on the duplicity of the human condition in our review of 1941’s “The Wolf Man.” [Aggregate score 7.75]
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TLS scare up Universal’s oeuvre of monsters for this year’s MOTS-O-Ween, starting with a discussion of vampires, stalkers and European economics in 1931’s “Dracula” starring Bela Lugosi. Leave the bugs, bring the garlic. [Aggregate score 8]
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Just in time to lead into our annual MOTS-O-Ween marathon, the latest entry in the grandfather of horror franchises returns for the modern age and manages to recapture what made it great in the first place. [Aggregate score: 9.5]
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TLS slithers along with Sony’s live adaptation of Marvel’s Venom in all it’s sub-par glory.
[Aggregate score: 4]
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As a precursor to kicking off Halloween season for 2018, TLS reviews the decently generic slasher flick, Hell Fest.
[Aggregate score: 6]
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Steve and Scott interview filmmaker Michelle Iannantuono about her upcoming feature, “Livescream,” as well as her company, Octopunk Media, and all of the various projects under its tentacles.
On Facebook:
Octopunk Media
Livescream
Crowdfunded projects Michelle is promoting:
Flesher
Killer Assistant
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TLS reviews the latest Matt Groening brain-child, Netflix series Disenchantment, while channeling the habits and vices of the show’s characters.
[Aggregate score: 8]
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