Categories will get pulled under Archives once the season is over.
It is Oscar season and the Lost Signals is catching up on the “best” movies of the year. Today’s episode features Daniel Day Lewis in a classy reboot of 50 Shades of Grey. [Aggregate Score: 8]
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For a change of pace, the Signals check out a relatively more optimistic (and possible Oscar contender) film, The Big Sick.
[Aggregate score: 9.3]
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The Lost Signals takes a look at Netflix’s gritty buddy-cop-fantasy-drama, “Bright.” Leave the burrito, take the wand.
[Aggregate score: 8]
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The Lost Signals ring in the new year with a review of Guillermo del Toro’s fish-loving tour de force, The Shape of Water.
[Aggregate score: 9.3]
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Secure your plows, hide your dogs at the bank, and always buy American. It’s time for some holiday mayhem: Gremlins.
[Aggregate score: 9]
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12/18/2017
The Lost Signals brings their signature analysis to the eighth installment of the ongoing War in the Stars, featuring the titular Last Jedi.
[Aggregate score: 7]
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12/13/2017
Having said all they can (or will) about The Room, MOTS goes even more meta with the strange story surrounding its eventual production, as portrayed by James Franco et al. in The Disaster Artist
[Aggregate score: 8]
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12/11/2017
The MOTS crew tackles the (in)famously so bad it’s good “The Room,” coming up with some interesting interpretations on the nature of this bizarre yet beloved film.
[Aggregate score: 3.75]
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12/04/2017
MOTS flashes back to high school circa 2002 in their review of Lady Bird, an expertly crafted and presented coming-of-age tale.
[Aggregate score: 10]
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11/27/2017
The gang tackles the challenging, darkly humorous, and scathing Three Billboards Outside Ebbing, Missouri.
[Aggregate score: 9.3]
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