Categories will get pulled under Archives once the season is over.
11/22/2017
Rich, Louie and Chris bring their long tradition of DCEU critiques to MOTS in their review of “Justice League.” It’s also the second DCEU film in a row we didn’t even have to rewrite!
[Aggregate score: 6.6]
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11/20/2017
MOTS checks out the Netflix original Mudbound, a compelling drama centered on two southern American families and their struggles during the WWII era.
[Aggregate score: 9]
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11/6/2017
MOTS heads for the land of ice and snow to grapple with the latest MCU entry, Thor: Ragnarok.
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MOTS finally catches up with the sleek and ‘oppressively stylish’ Edgar Wright flick, Baby Driver. Were we slow?
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For this year’s MOTS-O-Ween finale we take a look at “Halloween III: Season of the Witch,” the left-turn sequel that inspired this year’s theme. Michael Myers sat this one out, and instead we’re given a candy bag full of robot assassins in business suits, Stonehenge core processors, masks to die for, medical mustaches, catchy jingles and a joke on the children.
Happy Halloween!
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In the penultimate MOTS-O-Ween for 2017 and we talk about the left-turn Jason takes from Crystal Lake to outer space in “Jason X.” It’s been 450 years and all he wants is his machete back.
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MOTS-O-Ween examines the past, present 90s and future of a toy maker’s family and the puzzle box that summons Hell in the Alan Smithee classic “Hellraiser: Bloodline.” In space no one can hear you not finish your film.
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MOTS-O-Ween hops into a hypercube to ponder the tesseracts of characters, dimensions of script, and entropy of plot.
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MOTS-O-Ween takes a left-turn into a wall as we count the reasons to avoid “Leprechaun Back 2 Tha Hood.” There’s no gold at the end of this rainbow.
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MOTS-O-Ween continues its journey into the absurd with beer, boomsticks and Bruce Campbell in our discussion of Sam Raimi’s “Army of Darkness” (aka “Bruce Campbell vs the Army of Darkness” aka “Army of Darkness: The Medieval Dead”).
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