Just in time to lead into our annual MOTS-O-Ween marathon, the latest entry in the grandfather of horror franchises returns for the modern age and manages to recapture what made it great in the first place. [Aggregate score: 9.5]
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In keeping tradition, TLS closes off this season of Games & Games Culture with a discussion on horror games, this year focusing on their mechanics and design features via this article from Gamasutra.
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Travel through time with TLS as we attempt to parse out how best to integrate the conceit of time-travel in videogames, narratively and/or mechanically.
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TLS sees specters and reevaluates their own misconceptions in an AFI review of M. Night Shyamalan’s original horror/thriller.
[Aggregate score: 10]
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TLS slithers along with Sony’s live adaptation of Marvel’s Venom in all it’s sub-par glory.
[Aggregate score: 4]
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The Lost Signals try to discern who is real and who is not in their analysis of John W. Campbell’s (writing as Don A. Stuart) classic tale, “Who Goes There?” [Aggregate score: 8]
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As a precursor to kicking off Halloween season for 2018, TLS reviews the decently generic slasher flick, Hell Fest.
[Aggregate score: 6]
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Steve and Scott interview filmmaker Michelle Iannantuono about her upcoming feature, “Livescream,” as well as her company, Octopunk Media, and all of the various projects under its tentacles.
On Facebook:
Octopunk Media
Livescream
Crowdfunded projects Michelle is promoting:
Flesher
Killer Assistant
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TLS reviews the latest Matt Groening brain-child, Netflix series Disenchantment, while channeling the habits and vices of the show’s characters.
[Aggregate score: 8]
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Less Dickensian and more Poe-esque, The Signal-Man is a story of ghastly foreshadowing and we’re just the Signals to review it. [Aggregate Score: 7.33]
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